Ceramics — Studio Reference 100 – 1400 °C · 212 – 2552 °F

Kiln Firing Chart

Firing converts ceramic work from fragile greenware into a hard, permanent material. As the temperature in the kiln rises, the clay passes through a fixed sequence of physical and chemical changes — and most clay and glaze faults trace back to one of these stages. The chart maps temperature, approximate pyrometric cone, the incandescent color of the kiln interior, and what happens at each stage, from 100 to 1400 °C.

Tempera­ture°C / °F
Coneapprox.
Incan­descence
Event
1400 °C
2552 °F
1300 °C
2372 °F
14 13 12 11 10 9 8 7 6
Brilliant white White Yellow-white
End of porcelain range
End of stoneware range
1200 °C
2192 °F
5 4 3 2 1 01 02
Yellow
End of earthenware (red clay) range
1100 °C
2012 °F
1000 °C
1832 °F
03 04 05 06 07 08 09 010
Yellow-orange Orange Red-orange
1100 – 1200 °C · Vitrification

Mullite (an aluminosilicate crystal) and cristobalite (a crystalline form of silica) develop as the clay begins to convert to glass. Particles melt together, and the ware shrinks as it becomes denser. Soaking — holding the top temperature — increases the amount of fused material and the chemical action between fluxes and the more refractory materials.

900 °C
1652 °F
011 012 013 014 015
Cherry red
800 – 900 °C · Sintering begins

Clay particles begin to cement themselves together into a hard but still porous material: bisque.

800 °C
1472 °F
700 °C
1292 °F
600 °C
1112 °F
016 017 018 019 020 021 022
Dull red Dark red
300 – 800 °C · Burnout

Carbonaceous materials — impurities in the clay along with paper, wax and binders — burn out. The kiln needs ample air through this stage: above about 800 °C the sintering surface starts to seal, trapping unburned carbon and sulfides, which later cause bloating and black coring.

500 °C
932 °F
Dull red glow Black
573 °C · Quartz inversion

Quartz crystals snap from their alpha (α) to their beta (β) structure with a small, abrupt change in volume, concentrated in a window of roughly 50 °C; the inversion reverses on cooling. Temperature changes must be slow through this point — on the way up and the way down — or the stress will crack the work.

400 °C
752 °F
300 °C
572 °F
480 – 700 °C · Water smoke

Chemically combined water is driven off as steam (dehydroxylation). Past this stage the change is permanent — fired clay can never be slaked back to plastic clay.

200 °C
392 °F
220 °C · On cooling

Cristobalite — a crystalline silica that can form in clay bodies fired above about 1100 °C — contracts suddenly at 220 °C on the way down. Cooling too fast through this point makes the ware crack (dunting).

100 °C
212 °F
Dark
100 °C · Steam

Water boils and converts to steam. Trapped water can make the ware explode, so keep the kiln below 100 °C until all of it has evaporated.

Cone values are approximate Orton equivalents for each temperature band. Cones measure heat work — the combined effect of time and temperature — so a cone's true bending point depends on the heating rate. °F values are exact conversions of the °C benchmarks.

Incandescence names the visible glow of the kiln interior, judged in low ambient light.

Common firings Cone equivalents vary with heating rate
Bisque
Cone 08 – 04 · ≈ 945 – 1060 °C
Mostly electric kilns
Low-fire glaze
Cone 06 – 04 · ≈ 1000 – 1060 °C
Electric kilns · majolica ware
Mid-fire
Cone 5 – 6 · ≈ 1190 – 1220 °C
Electric & gas kilns
High-fire
Cone 9 – 10 · ≈ 1260 – 1300 °C
Gas, wood & soda kilns
Rule one of every firing
Hold below 100 °C until the ware is bone dry.